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	<title>FilmSchoolOnDemand - Make Your Movie Now! &#187; Blog</title>
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<title>FilmSchoolOnDemand - Make Your Movie Now!</title>
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		<title>Independent Filmmakers – How Do They Get in to Filmmaking?</title>
		<link>http://filmschoolondemand.com/2009/12/independent-filmmakers-%e2%80%93-how-do-they-get-in-to-filmmaking/</link>
		<comments>http://filmschoolondemand.com/2009/12/independent-filmmakers-%e2%80%93-how-do-they-get-in-to-filmmaking/#comments</comments>
		<pubDate>Tue, 15 Dec 2009 04:40:11 +0000</pubDate>
		<dc:creator>David Basulto</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[20th Century Fox]]></category>
		<category><![CDATA[Arts]]></category>
		<category><![CDATA[Blair Witch Project]]></category>
		<category><![CDATA[Brad Pitt]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[Independent film]]></category>
		<category><![CDATA[movie]]></category>

		<guid isPermaLink="false">http://filmschoolondemand.com/?p=424</guid>
		<description><![CDATA[

You may have enjoyed famous independent films such as “The Blair Witch Project” or “Juno” and, while you may or may not have realized these films were not produced by major film production studios, perhaps you dreamed of making a great film yourself some day.  These days, there are more opportunities to become an independent [...]]]></description>
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<div class="wp-caption alignleft" style="width: 151px"><a href="http://www.amazon.com/Blair-Witch-Project-Heather-Donahue/dp/B00001QGUM%3FSubscriptionId%3D0G81C5DAZ03ZR9WH9X82%26tag%3Dzemanta-20%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3DB00001QGUM"><img title="Cover of &quot;The Blair Witch Project&quot;" src="http://ecx.images-amazon.com/images/I/41FNA386RGL._SL300_.jpg" alt="Cover of &quot;The Blair Witch Project&quot;" width="141" height="208" /></a><p class="wp-caption-text">Cover of The Blair Witch Project</p></div>
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<p>You may have enjoyed famous independent films such as “<a class="zem_slink" title="The Blair Witch Project" rel="amazon" href="http://www.amazon.com/Blair-Witch-Project-Heather-Donahue/dp/B00001QGUM%3FSubscriptionId%3D0G81C5DAZ03ZR9WH9X82%26tag%3Dzemanta-20%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3DB00001QGUM">The Blair Witch Project</a>” or “Juno” and, while you may or may not have realized these films were not produced by major film production studios, perhaps you dreamed of making a great film yourself some day.  These days, there are more opportunities to become an independent filmmaker than ever before.</p>
<p>In the early 1900s, the major studios dominated filmmaking, as making movies was a relatively new idea using new technology and naturally, it took a lot of money to produce films.  Studios such as <a class="zem_slink" title="20th Century Fox" rel="homepage" href="http://www.foxmovies.com/">20th Century Fox</a>, Paramount and <a class="zem_slink" title="Warner Bros." rel="imdb" href="http://www.imdb.com/company/co0035989/">Warner Bros.</a> are the three major film studios with the longest history from the Golden Age of filmmaking to today&#8217;s environment full of smaller studios to compete with the big boys.  Also, independent films are popping up all the time made by studio&#8217;s nobody in the industry even knew existed.</p>
<p>Today, however, a lot of mainstream movies are actually indie films using well-known actors.  The Coen brothers, making movies such as “Fargo” and “No Country for Old Men” are essentially independent filmmakers, but because of their skill, previous successes and expert storytelling, they are well known producers who make movies featuring megastars such as <a class="zem_slink" title="Brad Pitt" rel="imdb" href="http://www.imdb.com/name/nm0000093/">Brad Pitt</a> and George Clooney.  The little guys, so to speak, are now more able than ever before to achieve their dreams of making movies.</p>
<p>Independent films are being made all the time and many become popular.  Most, however, probably have a small market share overall, but the filmmakers can still make a nice profit.  Imagine making a profit of even just $50,000 on a film that only took you a couple of months to make.  That is a yearly income for a lot of people, and if you make that much by fulfilling your passion, well, you can not put a price on that.  So, you can make a living out of making indie films, but how much do they cost to make?<span id="more-424"></span></p>
<p>While making films certainly does not generally come cheap and production companies often have big budgets, a good indie film can be made for as little as $100 or as much as $10 million.  The advent of digital filmmaking is one welcome improvement in filmmaking technology.  A lot of productions these days shoot entire films with digital cameras that give crisp images and then edit the film with computer programs such as Final Cut Pro, Avid Media Composer, and Adobe Premiere Pro.</p>
<p>You may be interested in film directing or producing, or more interested in cinematography.  Most independent filmmakers will be proficient in all these areas but may hire someone else to fill some of these roles and work with them because it is an almost impossible task to do everything on your own.  You will likely want to engage in a film studies course to learn the trade and to get some experience, or find  production companies that provide internships.  Working with people who have been there before will help you to achieve your dreams.  If you are ambitious enough, you could even be accepting an Oscar someday!</p>
<h6 class="zemanta-related-title" style="font-size: 1em;">Related articles on the web:</h6>
<ul class="zemanta-article-ul">
<li class="zemanta-article-ul-li"><a href="http://r.zemanta.com/?u=http%3A//www.time.com/time/business/article/0%2C8599%2C1936350%2C00.html%3Fxid%3Drss-business&amp;a=9322449&amp;rid=f73a081e-1293-41c3-8b74-6b73c5b8fa3b&amp;e=70c4aaa3570635a82ea0f25a780e5500">Indie Film Shakeout: There Will Be Blood</a> (time.com)</li>
<li class="zemanta-article-ul-li"><a href="http://r.zemanta.com/?u=http%3A//www.telegraph.co.uk/culture/film/film-news/6439720/Paranormal-Activity-tops-US-box-office-despite-micro-budget.html&amp;a=8918758&amp;rid=f73a081e-1293-41c3-8b74-6b73c5b8fa3b&amp;e=3f7e7a1b3923585f5d4490844e3c5842">Paranormal Activity tops US box office despite micro budget</a> (telegraph.co.uk)</li>
<li class="zemanta-article-ul-li"><a href="http://r.zemanta.com/?u=http%3A//www10.nytimes.com/2009/10/27/movies/27paranormal.html%3F_r%3D5%26partner%3Drss%26amp%3Bemc%3Drss&amp;a=8929846&amp;rid=f73a081e-1293-41c3-8b74-6b73c5b8fa3b&amp;e=d830fd85cd73c186de8f0024b114c23a">Following &#8216;Paranormal,&#8217; What Price Scary Glory?</a> (nytimes.com)</li>
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		</item>
		<item>
		<title>What to look for in Online Screenwriting Tutorials</title>
		<link>http://filmschoolondemand.com/2009/09/what-to-look-for-with-online-screenwriting-tutorials/</link>
		<comments>http://filmschoolondemand.com/2009/09/what-to-look-for-with-online-screenwriting-tutorials/#comments</comments>
		<pubDate>Mon, 07 Sep 2009 07:02:41 +0000</pubDate>
		<dc:creator>David Basulto</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Tips]]></category>
		<category><![CDATA[online]]></category>
		<category><![CDATA[screenplay]]></category>
		<category><![CDATA[screenwriting]]></category>
		<category><![CDATA[tutorials]]></category>

		<guid isPermaLink="false">http://filmschoolondemand.com/?p=382</guid>
		<description><![CDATA[The script is the most important part of the project, be it a documentary or a feature film. Therefore, at lot depends upon the way a script is written. This is why screenwriters are in such demands. A good scriptwriter must have limitless imagination, knowledgeable in the script&#8217;s subjects and skilled in the languages in [...]]]></description>
			<content:encoded><![CDATA[<div class="tweetmeme_button" style="float: right; margin-left: 10px;"><a href="http://api.tweetmeme.com/share?url=http%3A%2F%2Ffilmschoolondemand.com%2F2009%2F09%2Fwhat-to-look-for-with-online-screenwriting-tutorials%2F"><img src="http://api.tweetmeme.com/imagebutton.gif?url=http%3A%2F%2Ffilmschoolondemand.com%2F2009%2F09%2Fwhat-to-look-for-with-online-screenwriting-tutorials%2F" height="61" width="51" /></a></div><p>The script is the most important part of the project, be it a documentary or a feature film. Therefore, at lot depends upon the way a script is written. This is why screenwriters are in such demands. A good scriptwriter must have limitless imagination, knowledgeable in the script&#8217;s subjects and skilled in the languages in which the script is going to be narrated. However, besides such qualities, there are some more elements that cannot be imbibed by personal culturing. Hence, to get that leading edge, that would make scripts more attractive to potential buyers, training is important.</p>
<p><span id="more-382"></span></p>
<p>In this age of e-learning, scriptwriters are not far behind. There are online avenues for them to learn and become adept at the art of screenwriting. This report will look into such online tutorials and classes for screenwriting training.</p>
<p><strong>1.Online classes</strong>:  Certain websites provide the opportunity of training online. In most cases, it is made possible by making a user account and then completing modules of their training course. Often there is a fee involved, and therefore, a budding writer must ensure the credibility of such sites before investing on them. There is some certification at the end of the course to prove that the training has served its purpose.</p>
<p><strong>2.Personal contacts with senior/experienced screenwriters</strong>: Nothing serves better than the advices from the experienced. Most often than not, senior screenwriters mentor budding writers over the Internet through emails. Ideas get exchanged and they provide feedback that is very crucial for a learning writer. Thus, online correspondence is crucial to get some expert opinions about the job. However, this procedure might not be as organized as the online classes, so it is up to the writer to take up notes and implement them accordingly.</p>
<p><strong>3.Online communities</strong>: It is a good idea to communicate and interact among peers. Ideas can only get better when discussed in good spirit. There would be writers from different parts of the world coming together over the Internet, and it is always beneficial to share ideas and plots. It is mostly useful to extract information required in the early stages of a script. However, one should be careful enough not to divulge crucial information about a script, so that it gets stolen away completely.</p>
<p><strong>4.Certain websites may not provide extensive training</strong>, but it could provide with handful of relevant resources such as ebooks and learning software. This websites should be exploited to the maximum use, as generally writers need to refer to books related to script writing pretty often.</p>
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